After much time sleeping on the mattress of the Argentine rock wrapped in newspaper sheets, this blog has reawakened after a morning of Friday, youth supplement of the daily "people" the breakfast with an interview that caused a kind of deja vu is not very nice.
The cover story of Bugler Yes Supplement on Friday June 25, 2010, promised interviews with two former guitarists Street, and the title of that one of them, Elio Delgado, says it all: "Callejeros no longer exists now Duck and his friends. " But the fabric is cut only when invited to the first question appears in the words of Delgado, the phrase "Callejeros is a cult" . And so the sentences full of anger and resentment are becoming almost non-stop spitting: "After Cromañón Daniel Cardell grabbed his head, which was the set designer, and remained as manager. This is the most garca of everyone there. Pato is the bloodsucker (Fontanet). Daniel and Juancho (Carbone, sax) have it as the goose that lays the golden eggs, they use a puppet. Those who are around are made of cardboard. That's the move. Rats are tremendous ". Also There are many contradictions and things that touch of indignation, in the words of a young man of 25 who as a teenager was one of the protagonists of the greatest tragedy in the history of Argentine rock: (talking about Street) "After Cromañón, the chabon change much. They have a great folly, a lot of paranoia in the band and a lot of major psychological illness. They re crazy, filed down the head (...) They will profit far as they can, sooner or later they will drop the mask ". But a few lines before said "I played by the salary: laburo as an employee. I never liked street. Musically they are horrible ".
As is known, is always very delicate enter into a discussion about what happened to Cro-Magnon, and at the same time, the blog is to delve into the dispute between musicians, it is not "Intruders in the rock and there Rial any worshiper at least around here. memory still works and recoiled very little while, precisely at 30 April this year, to remember an interview with another former guitarist for a band name, more precisely Tavo Kupinski of Lice. The note, like the other, coincidence? was signed by the same journalist Nicholas Igarzabal . That note was entitled "Towards while we were no longer a band, " gave a lot to talk about the harsh statements now a member of the balls against Ciro, bassist Micky and the band manager. The two notes
focus in identical situations (ex who rant against the "leaders" of groups that took part, while promoting their new projects) and are addressed in a similar position by the interviewer at the start, touching the subject of the previous round of another member (the drummer Vázquez Fernández Street and guitarist in Los Piojos), and the search for an answer that shoot at the decision makers. Sharp, the two titles (which are the face visible marks) offer almost traced phrases regarding the situation of the bands: "Street no longer exists, it is now Duck and Friends one hand, and " Pretty soon, they were no longer a band " by the lousy hand.
is logical stance of wanting a trade journal after interviewing make the fur fly, but sometimes you can get out of hand when taking the dirty laundry in the sun and burn so end on fire. Delgado's replies to readers place him in a too contradictory and lack of commitment to the serious situation experienced while on the side of Kupinski, although not leave bad stood, they set up a typical tenement television programs in the afternoon with blonde mushy and pathetic characters who just want a little fame. But there seems to be that the pursuit of rock, or at least not so obvious.
hope that in future no response arrives Ciro Martínez, or new notes as "the confessions of the two former members of The Like" or "the real reason why The Cadillacs did not return two of its members ". If so, we would be witnessing a new form of selling in the mainstream of Argentine rock, joining other at all pleasant (places that charge fortunes for musicians to touch, collect or swapped media interviews, megafestival friends, etc.) that appear as part of everyday life. There was always strong and tough statements crosses between musicians, but two notes traced almost identical purposes in such a short time ago we put a little paranoid about this issue.
journalist himself for his part, ironically created a post on his blog referred to the second of the notes, which caused a good discussion in the comments, two conflicting views put forward in the letter, where the race Sciences Communication from the UBA was the star to include many of the intellectuals as part of his bibliography.
The cover story of Bugler Yes Supplement on Friday June 25, 2010, promised interviews with two former guitarists Street, and the title of that one of them, Elio Delgado, says it all: "Callejeros no longer exists now Duck and his friends. " But the fabric is cut only when invited to the first question appears in the words of Delgado, the phrase "Callejeros is a cult" . And so the sentences full of anger and resentment are becoming almost non-stop spitting: "After Cromañón Daniel Cardell grabbed his head, which was the set designer, and remained as manager. This is the most garca of everyone there. Pato is the bloodsucker (Fontanet). Daniel and Juancho (Carbone, sax) have it as the goose that lays the golden eggs, they use a puppet. Those who are around are made of cardboard. That's the move. Rats are tremendous ". Also There are many contradictions and things that touch of indignation, in the words of a young man of 25 who as a teenager was one of the protagonists of the greatest tragedy in the history of Argentine rock: (talking about Street) "After Cromañón, the chabon change much. They have a great folly, a lot of paranoia in the band and a lot of major psychological illness. They re crazy, filed down the head (...) They will profit far as they can, sooner or later they will drop the mask ". But a few lines before said "I played by the salary: laburo as an employee. I never liked street. Musically they are horrible ".
As is known, is always very delicate enter into a discussion about what happened to Cro-Magnon, and at the same time, the blog is to delve into the dispute between musicians, it is not "Intruders in the rock and there Rial any worshiper at least around here. memory still works and recoiled very little while, precisely at 30 April this year, to remember an interview with another former guitarist for a band name, more precisely Tavo Kupinski of Lice. The note, like the other, coincidence? was signed by the same journalist Nicholas Igarzabal . That note was entitled "Towards while we were no longer a band, " gave a lot to talk about the harsh statements now a member of the balls against Ciro, bassist Micky and the band manager. The two notes
focus in identical situations (ex who rant against the "leaders" of groups that took part, while promoting their new projects) and are addressed in a similar position by the interviewer at the start, touching the subject of the previous round of another member (the drummer Vázquez Fernández Street and guitarist in Los Piojos), and the search for an answer that shoot at the decision makers. Sharp, the two titles (which are the face visible marks) offer almost traced phrases regarding the situation of the bands: "Street no longer exists, it is now Duck and Friends one hand, and " Pretty soon, they were no longer a band " by the lousy hand.
is logical stance of wanting a trade journal after interviewing make the fur fly, but sometimes you can get out of hand when taking the dirty laundry in the sun and burn so end on fire. Delgado's replies to readers place him in a too contradictory and lack of commitment to the serious situation experienced while on the side of Kupinski, although not leave bad stood, they set up a typical tenement television programs in the afternoon with blonde mushy and pathetic characters who just want a little fame. But there seems to be that the pursuit of rock, or at least not so obvious.
hope that in future no response arrives Ciro Martínez, or new notes as "the confessions of the two former members of The Like" or "the real reason why The Cadillacs did not return two of its members ". If so, we would be witnessing a new form of selling in the mainstream of Argentine rock, joining other at all pleasant (places that charge fortunes for musicians to touch, collect or swapped media interviews, megafestival friends, etc.) that appear as part of everyday life. There was always strong and tough statements crosses between musicians, but two notes traced almost identical purposes in such a short time ago we put a little paranoid about this issue.
journalist himself for his part, ironically created a post on his blog referred to the second of the notes, which caused a good discussion in the comments, two conflicting views put forward in the letter, where the race Sciences Communication from the UBA was the star to include many of the intellectuals as part of his bibliography.
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