Wednesday, July 28, 2010

Mucus Plug Description

my rock'n'roll

polemic

In late 1994, La Renga Works showered with a single disc in tow, and then edit the show in a album was called "Dancing on one leg." There appeared the songs that had been part of the home "Avoiding Puddles" and one of them was "Blues de Bolivia" theme that, according to its author Gustavo Napoli (Chizzo) was inspired by the ordeal of the protagonist of the film Midnight Express.




The song began to spread, and became in 1996 the Bolivian ears thanks to Channel 7 in La Paz (TELEFE raising a note that was beginning to give the song thread) leading to a rejection by the neighboring country to understand that the letter to his nation wronged. The Embassy of Bolivia that the issue got to stop spread and demanded an apology and corrections from the band, which circulated in various media as done, but its members always denied such correction.

* Supplement No. Page 12 (02/12/1999), signed by Pablo Roque Potkin and Casciero: "... the Bolivian ambassador did not understand these things and was upset about the direct relationship between your country and drugs (which va'cer, old ...), then the trio Slaughterhouse publicly apologized and explained that he was inspired by the movie Midnight Express. "
* IF Clarín Supplement (April 1996) signed by Fernando Garcia, was entitled "A gaffe as volanta "La Renga apologized to the Bolivian government for the lyrics of a song."
retile * Magazine Interview Magazine (USA, 1997), signed by Edith Bican (in the words of the members of La Renga) "In Bolivia were offended, but the truth is that we will never apologize to the embassy, \u200b\u200bas he said simply insist that they did not understand the point were they, and we would play the song ... ". Many

news and newspapers were in charge of expanding the loading issue against the band (especially TELEFE and Midi program with Mauro), and noted that the song had been COMFER censored by the emphasis on certain parts of the letter as "Cocaine, cocaine, I'm going to Bolivia" and "Cocaine, cocaine, I run the police / cocaine, marijuana, and tourists going to jail / Cocaine, cocaine , it's left up / cocaine, marijuana, set fire and not burn anything. "

The secrecy has always had the band with the press obviously deepened, and a particular interview, conducted months before conflict breaks out with the song, it was like the kick for the relationship appears to be no turning back. The same data on Friday, 30 October 1995 Yes by the supplement of Clarín newspaper, entitled "The kids make you want to star but not" (PHOTO). There, while prowling chat between rock questions about the neighborhood, self-management and marginalization, two points stand out: the first carried the Blues lyric of Bolivia and its censorship, and the second was entitled " The Round vs. La Renga. Small / Large differences "as confronting the two groups.

In December of that year, in an interview for the magazine Chaucha and Palito, the band members talked about the note in Clarín:
"What do you think the story of "If Clarin?
Tete: is crap because they put things that we said and put bullshit.
Chizzo: Layers and chabón bullshit we had put them. That we have to be chanting the phone number was a comment that was made like that (at Tete).
Chiflo: The chabón put all the nonsense that he wanted to.
Tete: I think it was a malicious report.
Manu: A frustrated the chabón psychologist.
Chiflo: The chabón knew the meaning of the lyrics and themes.
Chizzo: What will know! Do not know a note.
Chiflo: The Wave gets chabón he wants because he was not interested in the group.
Tank: The chabón is a moron.
Tete and Tank: The SI are all morons.
Chizzo: They, sex, vice and Rock & Roll, we are re tasted that bad, that we misbehave, we take drugs all the time.
(...)
Chizzo: They La Renga vs rounds, are creating a rivalry, because who reads it says uh! Look, these are against it, there is created a rivalry.
Tank: The band chabón ask us is what we like and we all said the Round. "
Among
notes apparently distorted and television appearances and newspaper headlines Argentina and Bolivia, the result was a clear resentment by of the band to the media. Thus, in the album "Broken by a thousand places" (successor of "Dancing on one leg") of the same year 1996, looms like a song seem to respond to certain words that circulated over the commotion throughout Bolivia Blues:
A load
my rock'n'roll

A load my rock and roll, exceeds any sea
containing the large glass straw in your queue.
if my snapdragons
lights the fuse and do not like to say a single truth
going to use your press to crush me,
and the song of life to banish you.

going to be wasting time, because back
our wind comes
that destroys everything it touches,
because my singing and have other mouths
and nobody can shut.

A load my rock and roll, exceeds any sea
containing the large glass straw in your queue.
fire if my tongue does not have a
hair and do not like to tell you the reality
going to aim your cannon to mind the song
and destroy life.

going to be wasting time,
because the wind behind us comes
that destroys everything it touches,
because my singing and have other mouths
and nobody can shut.



Sources:
Blog LMDS La Renga
Magazine Chaucha and Palito

Clarín Diario Página 12
My brain

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