Monday, December 29, 2008
Grapefruit And Coversyl Medication
NEWS
hear I'm a very conservative if I say I do not know who joraca PINKAT guys are winners as National Disclosure of "super survey Yes diary people, or anyone else shares this lack?
By the way, I have no idea what BALUT, and only know the name to flocks of tourists because they played at festivals all year poparteros. Luckily I breathed and I felt so disjointed when I knew a little and lambs BORDER FOOTBALL (the latter also regulars of megafestis).
SURVEY RESULT IN THE DISCLOSURE ITEM:
Pinkat
Balut score 1,257 1,054
Banda de Turistas Football
970 871
867 Sheep Border
What was the sentence of Brothers & Detectives little baby?
personal opinion: when rock grupete stop thinking that the media concerning the supplement is Yes, and who out there is the goal, it will go much better ... And if
come here and look what they predict ...
As they themselves say: EL SUPL SUPL IF THE YOUNG, NOT ROCK.
Sunday, December 21, 2008
C0mputer External Harddi
Get me a demo
MANAGERS, PRESSES and labels
Me seemed pertinent to add a word to the title of this section, so it is as follows: "Managers, Labels and PRESS" . This recall came from an anecdote told to me by the year 2005 Ricardo Tapia, lead singer of the Mississippi, which he said exactly this:
"Recently, speaking with a record producer, he wanted to know what we were doing now, but told me in a way that did not understand: told me "bring me a demo" . I replied that I had to take any demo, he had called me to me. Then I told him a story in connection with the famous demo: Once a company called Pappo and asked him to give him a demo, and Pappo said "no demo, I'm Pappo, what's wrong?" . Heated as cut and made Pappo and Friends, "go all to hell and I do a tribute to myself" . (...) Those who run the labels are brats who know nothing. If you run the record companies would understand because you're a guy who knows music, but a guy like you who knows music will never put in that position, it's like you're all wrong. Following this, and returning to Pappo, I have understood that he asked the demo he lost his job. "
named Tapia The disk came out in 2000, with an inexhaustible amount of musicians of the national rock scene. The move was a gem at that time and was very successful. In an interview with the newspaper La Nacion on 12 June that year , prior to the live disc, Pappo loaded heavy artillery against the rock producers in the country, speaking of the failed experience of around Riff: "We offered a product to market and no company label because it was accepted out of time and place. (...) At that time it was fashionable to Soledad, Thalia, Luis Miguel. Now things have changed, the bands can make soccer fields and fill them with little diffusion. It is a kind of sect that is out of the system. And that seems perfect. Because if one expects that producers play for something ... No rock producers in the country. Riff That's why not come out. Today, the art is the least of it is just a matter of connections. In a situation like that, you prefer to step aside, let the fools run its course and make one. "
Finally, returning to talk with Tapia, I remember a phrase that may be right to close all this: "if Fellini was born in Argentina would be the corner grocer."
"Recently, speaking with a record producer, he wanted to know what we were doing now, but told me in a way that did not understand: told me "bring me a demo" . I replied that I had to take any demo, he had called me to me. Then I told him a story in connection with the famous demo: Once a company called Pappo and asked him to give him a demo, and Pappo said "no demo, I'm Pappo, what's wrong?" . Heated as cut and made Pappo and Friends, "go all to hell and I do a tribute to myself" . (...) Those who run the labels are brats who know nothing. If you run the record companies would understand because you're a guy who knows music, but a guy like you who knows music will never put in that position, it's like you're all wrong. Following this, and returning to Pappo, I have understood that he asked the demo he lost his job. "
named Tapia The disk came out in 2000, with an inexhaustible amount of musicians of the national rock scene. The move was a gem at that time and was very successful. In an interview with the newspaper La Nacion on 12 June that year , prior to the live disc, Pappo loaded heavy artillery against the rock producers in the country, speaking of the failed experience of around Riff: "We offered a product to market and no company label because it was accepted out of time and place. (...) At that time it was fashionable to Soledad, Thalia, Luis Miguel. Now things have changed, the bands can make soccer fields and fill them with little diffusion. It is a kind of sect that is out of the system. And that seems perfect. Because if one expects that producers play for something ... No rock producers in the country. Riff That's why not come out. Today, the art is the least of it is just a matter of connections. In a situation like that, you prefer to step aside, let the fools run its course and make one. "
Finally, returning to talk with Tapia, I remember a phrase that may be right to close all this: "if Fellini was born in Argentina would be the corner grocer."
Monday, December 1, 2008
Chenille Bathrobes From Everybody Loves Raymond
"You're a papafrita"
polemic 9: VICENTICO and TELEFE
Obviously the scandal not long in coming and all the media began with heavy artillery firing (a paradox) against the former leader then Cadillac. All news of all Argentine air channels were horrified with the video, and some, such as America News, spoke of "apology of crime" (?). Maurito also Viale (pictured) and his henchmen were responsible for "defending" the poor used to carry children under such an attitude.
Gabriel Fernandez Capello
same stage was carried out early next year, the Gardel Awards 2003, and what video won the statuette?: "He wakes up the city", of course. In the subsequent press conference, a reporter for News TELEFE Vicentico begins to ask about that discussion, but the singer is interrupted.
jugosísimo
polemic 9: VICENTICO and TELEFE
As clarified in the posting opening, not always press the wrapping is in discussions with the musicians. And if you do not see this peculiar case:
In late 2002, the then lead singer Vicentico launched his debut solo album, accompanied by video "He wakes up the city" . In it, some guys dancing with the singer on the island Maciel, and at times carrying weapons with which the singer pointed firing water. Days later the video was censored by the COMFER under the following excuse: "exposes the young audience to messages that correspond to an adult eye on crime, violence and marginalization of children, which are high impact and difficulty Thus, the normal psychological processing of minor recipient. "
Obviously the scandal not long in coming and all the media began with heavy artillery firing (a paradox) against the former leader then Cadillac. All news of all Argentine air channels were horrified with the video, and some, such as America News, spoke of "apology of crime" (?). Maurito also Viale (pictured) and his henchmen were responsible for "defending" the poor used to carry children under such an attitude. Gabriel Fernandez Capello
(Vicentico) was very shocked by what happened, saying the idea of \u200b\u200bthe clip was to show the reality of Argentina. He also had time to satirize, and presentation at Luna Park came dressed as a policeman, ordering the public to be quiet because he was going to put prisoners. In
same stage was carried out early next year, the Gardel Awards 2003, and what video won the statuette?: "He wakes up the city", of course. In the subsequent press conference, a reporter for News TELEFE Vicentico begins to ask about that discussion, but the singer is interrupted.
This is the dialogue:
Storyteller: -Vicentico, for Telefe Noticias.
Vicentico: - "Where?
Storyteller: -To Telefe news.
Vicentico: "It just means to ask this question, see, what will you ask?
Storyteller: "No, can surprise you. When the idea of \u200b\u200bvideo ideaste ...
Vicentico: -Valga redundancy.
Storyteller: "When you thought, is not believed that he would probably generate more violence from the image that is going to see?
Vicentico: "My, for example, what you say I think a deformity of the Lord, the controversy arose because the armed, because living means that, above all the means that you're naming, reporting all wrong difficult, pile up, so that no one understands anything.
Storyteller: not tell you because you would otherwise incur
same ... Vicentico (interrupting): "No, do not be papafrita, you're a papafrita, is a discussion cheap, carlitos.
Storyteller: -I respect you as an artist.
Vicentico: "Oh, thank you very much for your respect, I appreciate your respect, I respect your channel to anything, I think a dung.
As we discussed in an old post, Vicentico relationship with the press is not the best. In closing then, let a sentence made by the singer in a newspaper interview Profile on 8 November 2006: "I heated that journalists say terrible things. In my first record, for example, said it was light and a series of more bullshit. I asked how I felt working with the same producer Mambrú ... The press should take care of what you say, right? If your job is to inform, hacete by what they report. There is little reflection about what causes what is said in a mass medium. (...) I try to do things to make people happy that I have around, not to fuck. Many people live to fuck each other. It is very mask that. "
Storyteller: -Vicentico, for Telefe Noticias.
Vicentico: - "Where?
Storyteller: -To Telefe news.
Vicentico: "It just means to ask this question, see, what will you ask?
Storyteller: "No, can surprise you. When the idea of \u200b\u200bvideo ideaste ...
Vicentico: -Valga redundancy.
Storyteller: "When you thought, is not believed that he would probably generate more violence from the image that is going to see?
Vicentico: "My, for example, what you say I think a deformity of the Lord, the controversy arose because the armed, because living means that, above all the means that you're naming, reporting all wrong difficult, pile up, so that no one understands anything.
Storyteller: not tell you because you would otherwise incur
same ... Vicentico (interrupting): "No, do not be papafrita, you're a papafrita, is a discussion cheap, carlitos.
Storyteller: -I respect you as an artist.
Vicentico: "Oh, thank you very much for your respect, I appreciate your respect, I respect your channel to anything, I think a dung.
As we discussed in an old post, Vicentico relationship with the press is not the best. In closing then, let a sentence made by the singer in a newspaper interview Profile on 8 November 2006: "I heated that journalists say terrible things. In my first record, for example, said it was light and a series of more bullshit. I asked how I felt working with the same producer Mambrú ... The press should take care of what you say, right? If your job is to inform, hacete by what they report. There is little reflection about what causes what is said in a mass medium. (...) I try to do things to make people happy that I have around, not to fuck. Many people live to fuck each other. It is very mask that. "
Wednesday, November 5, 2008
Automatic Rizzla Cigarette Hand Rolling Tin
rockers, journalists, what fascists?
But the skinny went further and personalize the issue when he referred to former Supreme and another journalist in question did not identify: "Pettinato is very rude, in their programs, their ideologies, it shows . Written puts a guy who is pretending to be leftist when is a tremendous fascist, it does speak against me. Pettinato is suited, a fascist . At one point I wanted but now, after seeing what he does on TV, it seems a farabute. ".
few days later the conference, more precisely on 19 March, Eduardo Fabregat published on Page 12 a note entitled "On fascists and enemies" , clearly referring to what happened at that conference, emphasis on cataloging Spinetta made on Pettinato. The note began: "Some years ago, a famous Argentine musician, rocker first line dropped a concept that was out of the interview with this newspaper. "In the Argentine rock, Charly García is left", started. "And Spinetta is right. A facho . ".
reporter also cites Page 12 film "Almost Famous" where musicians refer to reporters as "The Enemy", and this served to historicize a bit the relationship between the two parties in our country, obviously from their side of journalism. We will not play all the notes here, but is highly recommended to read the analysis ends with this sentence: "... the rock journalist dedicated to this because first of all was the love of music, as passionate as that encourages musicians. They chose the guitar and the melody, the journalist chose the keyboard and words. ".
For its part, Pettinato only be sent to answer a little skinny on the publishing of the Hand September of that year, criticizing the ego of it.
The journalist in question which Spinetta spoke at the press conference without giving his name is Paul Schanton , who also had a dispute with the skinny on the past, and will soon be posted here on this blog in a future near or far, who knows. By the way, sorry for the delay ...
polemic 8: SPINETTA and Pettinato
In August 2006, the musician Luis Alberto Spinetta spoke to reporters Mendoza, promoting the launch of his new album PAN. The talk then turned more than anything about the details of the album, though thin was also time to talk about Cro-Magnon and musician / journalist / conductor Roberto Pettinato .
In August 2006, the musician Luis Alberto Spinetta spoke to reporters Mendoza, promoting the launch of his new album PAN. The talk then turned more than anything about the details of the album, though thin was also time to talk about Cro-Magnon and musician / journalist / conductor Roberto Pettinato .
turned out in May of that year, the magazine Hand (directed by Petti) published a special issue on the trajectory of the author of "Girl paper eyes." Spinetta but apparently did not like the scene in which he talked about his musical history. "The magazine's Hand was horrible. Voodoo is a press release with pictures from old sessions, like the cover. It's like a boycott, despite all the praise. When I'm not in this world made me what I want, but while I'm here, I break the balls ". These were the textual words that explained his idea about the special issue.
But the skinny went further and personalize the issue when he referred to former Supreme and another journalist in question did not identify: "Pettinato is very rude, in their programs, their ideologies, it shows . Written puts a guy who is pretending to be leftist when is a tremendous fascist, it does speak against me. Pettinato is suited, a fascist . At one point I wanted but now, after seeing what he does on TV, it seems a farabute. ". few days later the conference, more precisely on 19 March, Eduardo Fabregat published on Page 12 a note entitled "On fascists and enemies" , clearly referring to what happened at that conference, emphasis on cataloging Spinetta made on Pettinato. The note began: "Some years ago, a famous Argentine musician, rocker first line dropped a concept that was out of the interview with this newspaper. "In the Argentine rock, Charly García is left", started. "And Spinetta is right. A facho . ".
reporter also cites Page 12 film "Almost Famous" where musicians refer to reporters as "The Enemy", and this served to historicize a bit the relationship between the two parties in our country, obviously from their side of journalism. We will not play all the notes here, but is highly recommended to read the analysis ends with this sentence: "... the rock journalist dedicated to this because first of all was the love of music, as passionate as that encourages musicians. They chose the guitar and the melody, the journalist chose the keyboard and words. ".
For its part, Pettinato only be sent to answer a little skinny on the publishing of the Hand September of that year, criticizing the ego of it.
The journalist in question which Spinetta spoke at the press conference without giving his name is Paul Schanton , who also had a dispute with the skinny on the past, and will soon be posted here on this blog in a future near or far, who knows. By the way, sorry for the delay ...
Saturday, August 2, 2008
Myra Nam Joker Movies Hot Scine
"A manager is always a manager"
In an interview with the magazine Soy Rock, published on 48th May 2008, Martin "Mono" Fabio , Kapanga singer (one of the few bands that if you see you have 100% sure that you are having a good time) told a story about an old relationship with the first manager to have. The same name was allegedly Fer Lopez and the Monkey, was left with the cache during a show in Between Rivers. So what had happened:
In the reply, linking together all in one sentence of Willy Crook product of another story in question: "I really stuck with a phrase that Willy Crook said: " Be careful, a manager always a manager ". It was 9 am, the guy had a glass of Fernet in the hand that had turned in his white shirt. The shrimp had left the band and the manager because he had broken the hotel and ended up taking the police. Had no money and I was alone at the airport, then we pay the fare for a return. "
Two color detail than that to make sure that Fer was a quasi garca the likes of Marcos de Nueve Reinas . The first, which should have been puestísimo Willy, and second, the paradox that the talk about the former manager of Kapanga is given to someone who works for the same company He executive-produced / managerea his records. Well said Willy: "Be careful, a manager is always a manager" (though today I'm doing an interview).
MANAGERS AND PRESSES 4
In an interview with the magazine Soy Rock, published on 48th May 2008, Martin "Mono" Fabio , Kapanga singer (one of the few bands that if you see you have 100% sure that you are having a good time) told a story about an old relationship with the first manager to have. The same name was allegedly Fer Lopez and the Monkey, was left with the cache during a show in Between Rivers. So what had happened:
"Fer Lopez was a neighborhood kid here. As we are just tearing his at bat, he took us many miles ahead. Once we went to play at Entre Rios and the owner of the bar, as Fer, we had not paid. So I set fire to a radio chabón "Pichin of Nogoyá, Garces, give us what we owe." And this Pichin went looking for the radio and said "You're saying things about me that are not true, I paid to fer." I went back and rang the Maffia and Balde to tell you that Fer was left with a turn of 600 pesos. We send a message to the pager that said: "Tomorrow's meeting at the Monkey to chat a couple of things." When I told him I had met Pichin, the guy turned white. Do not stick to Fer, but we kicked his ass and threw him like a rat. It was very funny, because I hurry, I pulled the bucket and began to address, and then came Maffia, I ran and shouted. "
In the reply, linking together all in one sentence of Willy Crook product of another story in question: "I really stuck with a phrase that Willy Crook said: " Be careful, a manager always a manager ". It was 9 am, the guy had a glass of Fernet in the hand that had turned in his white shirt. The shrimp had left the band and the manager because he had broken the hotel and ended up taking the police. Had no money and I was alone at the airport, then we pay the fare for a return. "
Two color detail than that to make sure that Fer was a quasi garca the likes of Marcos de Nueve Reinas . The first, which should have been puestísimo Willy, and second, the paradox that the talk about the former manager of Kapanga is given to someone who works for the same company He executive-produced / managerea his records. Well said Willy: "Be careful, a manager is always a manager" (though today I'm doing an interview).
Sunday, July 20, 2008
How To Get Whiskers On My Jeans
of the head with the Yes! Statements
polemic 7: vs. CLARIN. Gustavo Cordera
A month later, the former group pajamas closed the festival Quilmes Rock 2003 sold out (something unusual about these festivals) showing her big moment on the level of call. During the show, the singer took a few seconds to criticize the supplement of the newspaper Clarín, advising his audience that does not believe the things I write this diary, while also suggested not reading them.
People cheered and celebrated the statements, probably without knowing what he was referring specifically Cordera. However, the wording of the supplement was responsible for the situation cool a bit in Friday's edition October 31, 2003, through a undernote located in particular on the festival titled "Yeah! clarifies, "signed by Ernesto Martelli (now editorial director of Rolling Stone).
This text said:
"During the recital of Bersuit, Gustavo Cordera take a minute to criticize the Yes! for having reported that he had supported the candidate and he was glad Ibarra the defeat of Mauricio Macri. Indeed, in the week before the elections was published in magazines porteñas a request for Ibarra, among others, bears the signature of "Gustavo Cordera (La Bersuit)." This week, after the critical stage of Quilmes, Christian Merchot, Bersuit manager, told the Yes! that "Gustavo said he did not sign anything." That
requested already exists and we refer to the singer's lawyers. If, as he says, Cordera did not sign it and claim should apologize to whom included his name improperly and abused his fame. And do not criticize the Yes! that informs its readers. "
This small clash not Bersuit Vergarabat prevented then continue out on the cover of the supplement and offers countless interviews. Even at the beginning of next year out three notes between January and February, praising a show, anticipating the new album exclusively, and interviewing the singer. No doubt this "peleíta" ephemeral did not benefit either side and clear, quickly realized.
polemic 7: vs. CLARIN. Gustavo Cordera
's edition of Friday, September 19, 2003, the supplement Yes! Clarin's pulled a small text in which it was said that Gustavo Cordera, Bersuit Vergarabat singer , had signed a request which supported the then ruler of the city of Buenos Aires, Anibal Ibarra, and President Nestor Kirchner. In addition, a direct quote from the words of Cordera said "I'm very happy because Macri won. Luckily this guy is not ruling the capital."
A month later, the former group pajamas closed the festival Quilmes Rock 2003 sold out (something unusual about these festivals) showing her big moment on the level of call. During the show, the singer took a few seconds to criticize the supplement of the newspaper Clarín, advising his audience that does not believe the things I write this diary, while also suggested not reading them.
People cheered and celebrated the statements, probably without knowing what he was referring specifically Cordera. However, the wording of the supplement was responsible for the situation cool a bit in Friday's edition October 31, 2003, through a undernote located in particular on the festival titled "Yeah! clarifies, "signed by Ernesto Martelli (now editorial director of Rolling Stone).
This text said:
"During the recital of Bersuit, Gustavo Cordera take a minute to criticize the Yes! for having reported that he had supported the candidate and he was glad Ibarra the defeat of Mauricio Macri. Indeed, in the week before the elections was published in magazines porteñas a request for Ibarra, among others, bears the signature of "Gustavo Cordera (La Bersuit)." This week, after the critical stage of Quilmes, Christian Merchot, Bersuit manager, told the Yes! that "Gustavo said he did not sign anything." That
requested already exists and we refer to the singer's lawyers. If, as he says, Cordera did not sign it and claim should apologize to whom included his name improperly and abused his fame. And do not criticize the Yes! that informs its readers. "
This small clash not Bersuit Vergarabat prevented then continue out on the cover of the supplement and offers countless interviews. Even at the beginning of next year out three notes between January and February, praising a show, anticipating the new album exclusively, and interviewing the singer. No doubt this "peleíta" ephemeral did not benefit either side and clear, quickly realized.
Sunday, July 13, 2008
Honeywell Rth7400 How To Use
NEWS (or not so)
Following the return on Tuesday July 1 at the Planetarium, Los Fabulosos Cadillacs began with the promotion of his show at the River Plate stadium on 12 December. Sergio Rotman and Flavio Cianciarulo were interviewed by journalist Casciero Roque, and the note left in the edition last Wednesday, July 9 journal Page 12.
In a question the reporter asked about an old Cadillac to saxophonist sentence beyond the year 1997 made a splash in the musical. Aclarla Rotman did not hesitate, in his usual way of speaking. This was the dialogue:
"Roque Casciero," Rotman, you was the one who recommended Minimal, but soon hit the door. And in a note to this newspaper said: "In the Cadillacs is a war of egos."
Sergio Rotman: "I waited eleven years to make this clear: I did not say there was a war of egos. What I said was that there was a war of egos and Flavio and Gaby were two sons of a thousand whores full (laughter). Do not know why the reporter did not put that because it was very boluda a statement. "
Sergio Rotman: "I waited eleven years to make this clear: I did not say there was a war of egos. What I said was that there was a war of egos and Flavio and Gaby were two sons of a thousand whores full (laughter). Do not know why the reporter did not put that because it was very boluda a statement. "
Rotman's answer leaves us a few things. On the one hand, the certainty that is excellent, on the other we helps to refer to that time:
In principle, the letter actually was published in the newspaper Clarín , in the supplement Yes! on 18 July 1997 (by the way, how many pages I had before the Yes!), whose title was just " In Cadillacs is a war of egos" . Nearly a month later (August 15), the lead singer, Vicentico , responded in the same newspaper to those words: "It's very intimate, very weird talking about a friend but also very uncomfortable opening the paper and see him reviewing what we nostro (...) The war of egos is a psychoanalytical Berreta stupid ... We are friends, do not understand (...) We'll talk about other way, but it is not so to a friend: neither, or us. And ready, when it will pass. "
Last year, Flavio wrote on the website LFCRarezas on that old argument, and the subsequent meeting: " Amnesia was one of the songs Rotman brought to Fabulosos Calavera. I, as usual, was very involved in the creation of that crazy-mobile-disco, and my personal relationship with "Rockman" was cracked (..) Fabulosos Calavera recording in the Bahamas, after a fiery speech, I addressed him Rockman word. Today, fortunately, we can laugh at all this with my friend "Rock."
and ended up talking Rotman himself:
"Thanks for not having spoken to a lot of time, because I gathered a lot of desire to want to do it again. Until one day I went looking for Panda, were recorded in Cienfuegos, you thought I was going to box But I gave you a abrazo.Todo is much easier than it looks. "
"Thanks for not having spoken to a lot of time, because I gathered a lot of desire to want to do it again. Until one day I went looking for Panda, were recorded in Cienfuegos, you thought I was going to box But I gave you a abrazo.Todo is much easier than it looks. "
Another thing that reminded me Casciero dialogue was pathetic and Rotman promote the album by BMG, remember?
Saturday, June 7, 2008
My Leopard Geckos Throat Is Big
comes with Sergio Rotman frennys gift!
PERLITE 5
Frennys "was written well? I do not remember, but the hilarious Pumper Nick Rock Festival of Peter Capusotto and his videos is frighteningly close to reality ...
Do you sounded from somewhere? Log in here
Capusotto program remains by far the best rock journalism program ...
PERLITE 5
Frennys "was written well? I do not remember, but the hilarious Pumper Nick Rock Festival of Peter Capusotto and his videos is frighteningly close to reality ...
Do you sounded from somewhere? Log in here
Capusotto program remains by far the best rock journalism program ...
Saturday, May 31, 2008
Rash On 4 Month Old Cheeks
"Zanz Kant Danz"
MANAGERS AND PRESSES 3
After the presentation about what it was this section, we kick off with a familiar story from outside the country (if they thought All these questions go only in Argentina).
The story in question was generated from the dispute between John Fogerty produced -photo- , singer and composer of the great band Creedence Clearwater Revival , and his former manager Saul Zaentz , owner Fantasy Records label, thanks to that step group from a small independent company to be one of the major music labels.
How did he do? Turns out the young and inexperienced then John, back in the beginnings of the band signed a contract that could not sing outside the company. In 1972, when he decided to solo after the breakup of the group, had to resort to some negotiations with his former label, but that's old firm was sentenced, and to escape from the clutches had to cede copyright of all the successes of her own recorded with Creedence .
course, from then on Fantasy Records did not stop to edit compiled, taking all the money from the royalties, gigantic its power to reach into their ranks have great musicians, and even became director Zaentz film producer films as "Amadeus" and "The English Patient" (also has the rights to " The Lord of the Rings" it acquired in 1977, and which was filled with twine when the movies came -photo- , showing that the rate is quite ligerita). But it was not there, because when Fogerty released his second solo album in 1975 was accused by his "old masters" have a sound very much like Creedence, and plagiarise himself!
The singer won the dispute, but got tired of so much filth in the music business and retired until 1985, he returned with all editing a song called " Zanz Kant Danz" (later changed to "Vanz Kant Danz" ), where greedy pig branded the director of Fantasy and prayed: "Zaentz can not dance, but they steal your money" . The guy did not like and once again demanded autoplagio: the solo song called "The old man down the road" was accused of being "similar" to the old theme of Creedence called "Run Through The Jungle" . Two issues were Fogerty's own contention, but the case Fogerty vs.. Fogerty was won once again by singer, who appeared with his guitar at the trial claiming that he plays one way and can not change the way do (in any case here a lot they could be accused of something similar). The former Creedence not stood still and called the court costs involved.
MANAGERS AND PRESSES 3
After the presentation about what it was this section, we kick off with a familiar story from outside the country (if they thought All these questions go only in Argentina). The story in question was generated from the dispute between John Fogerty produced -photo- , singer and composer of the great band Creedence Clearwater Revival , and his former manager Saul Zaentz , owner Fantasy Records label, thanks to that step group from a small independent company to be one of the major music labels.
How did he do? Turns out the young and inexperienced then John, back in the beginnings of the band signed a contract that could not sing outside the company. In 1972, when he decided to solo after the breakup of the group, had to resort to some negotiations with his former label, but that's old firm was sentenced, and to escape from the clutches had to cede copyright of all the successes of her own recorded with Creedence .
course, from then on Fantasy Records did not stop to edit compiled, taking all the money from the royalties, gigantic its power to reach into their ranks have great musicians, and even became director Zaentz film producer films as "Amadeus" and "The English Patient" (also has the rights to " The Lord of the Rings" it acquired in 1977, and which was filled with twine when the movies came -photo- , showing that the rate is quite ligerita). But it was not there, because when Fogerty released his second solo album in 1975 was accused by his "old masters" have a sound very much like Creedence, and plagiarise himself! The singer won the dispute, but got tired of so much filth in the music business and retired until 1985, he returned with all editing a song called " Zanz Kant Danz" (later changed to "Vanz Kant Danz" ), where greedy pig branded the director of Fantasy and prayed: "Zaentz can not dance, but they steal your money" . The guy did not like and once again demanded autoplagio: the solo song called "The old man down the road" was accused of being "similar" to the old theme of Creedence called "Run Through The Jungle" . Two issues were Fogerty's own contention, but the case Fogerty vs.. Fogerty was won once again by singer, who appeared with his guitar at the trial claiming that he plays one way and can not change the way do (in any case here a lot they could be accused of something similar). The former Creedence not stood still and called the court costs involved.
From there, Fogerty once again disappeared from the big stage once again, and even in 1993 refused to attend the ceremony Creedence insertion into the Hall of Fame does not cross with his former teammates Doug Clifford Stu Cook and (his brother Tom Fogerty died in 1990), Saul Zaentz who backed their demands and also toured the world singing songs from his old band under the name of Creedence Clearwater Revisited .
In 1997, John returned to the tracks, released an album with songs of Creedence and no one dared to place stones on the road. Even in 2004 Zaentz sold the company to Concord Music , and next year the duo Fogerty, Fantasy Records, but now with all copyright charged by the real composer, who deserved all along.
Thursday, May 22, 2008
Chest Pain At 36 Weeks
Vision Press by Jorge Drexler
NEWS
Maybe some do not agree to label it as a rocker to Jorge Drexler , but I think it has gone through many situations in which acting as such. Probably the most massive event has been remembered what happened in the delivery of prizes Oscar in 2005 when he won the statuette for his song "Across the River" , including in the film Diaries motorcycle. The anecdotal
of that time was that the organizers did not accept that the figure "unmarketable" Drexler was worthy to sing live in front of so many stars his song, so decided on a sultry interpretation Antonio Banderas, accompanied the American, Mexican forgiveness, Carlos Santana , meaningless doodles and interest with guitar. Unforgettable Drexler was the face of the termination of such interpretation, and more memorable was his performance a capella of some verses of the song when he took the stage to receive the award, as saying "here are fucking, I sang it anyway."
Well, once past the introduction, to the more current, and the end of this post, a statement from you in a note Clarín newspaper of today, when asked about his opinion on the press:
"The media circle is very important, but it is the outermost (...) If I were a genius does not need to do interviews, but I'm not naive: I know that if I disappear from the media, also gradually disappear from the shops, and box office performances. And you sing to be heard. "
Uruguayan Magnificent sentence to synthesize the old phrase necessary evil usually press for musicians. Just today and tomorrow will be playing at the Teatro Gran Rex, great time to provide a note in the great Argentine daily, and to show how true that is his phrase recently cited.
Maybe some do not agree to label it as a rocker to Jorge Drexler , but I think it has gone through many situations in which acting as such. Probably the most massive event has been remembered what happened in the delivery of prizes Oscar in 2005 when he won the statuette for his song "Across the River" , including in the film Diaries motorcycle. The anecdotal
of that time was that the organizers did not accept that the figure "unmarketable" Drexler was worthy to sing live in front of so many stars his song, so decided on a sultry interpretation Antonio Banderas, accompanied the American, Mexican forgiveness, Carlos Santana , meaningless doodles and interest with guitar. Unforgettable Drexler was the face of the termination of such interpretation, and more memorable was his performance a capella of some verses of the song when he took the stage to receive the award, as saying "here are fucking, I sang it anyway."
Well, once past the introduction, to the more current, and the end of this post, a statement from you in a note Clarín newspaper of today, when asked about his opinion on the press:
"The media circle is very important, but it is the outermost (...) If I were a genius does not need to do interviews, but I'm not naive: I know that if I disappear from the media, also gradually disappear from the shops, and box office performances. And you sing to be heard. "
Uruguayan Magnificent sentence to synthesize the old phrase necessary evil usually press for musicians. Just today and tomorrow will be playing at the Teatro Gran Rex, great time to provide a note in the great Argentine daily, and to show how true that is his phrase recently cited.
Tuesday, May 6, 2008
Can Medicationraise Your Blood Pressure And Pulse
Hypocrites speak of moral ...
is August 19 that the thing was even a joke between Monica and Caesar, then Telenoche drivers while presenting the note:
Caesar: "What are my balls?".
Monica: "I do not know ... a sport."
Caesar: "No, a rock group that was sentenced to give four concerts in aid for drug possession."
In a note to Yes Clarin by Fernando García the September 23, 1994, the guitarist doing his discharge of the situation: "We do not got with anyone and suddenly, everyone got us. We took care of things that everyone knows that our society is through the roof. In the highest circles and in the slums also . "And he added: " We discretion and there was none. No one noticed that behind the big news, there were guys with children and neighbors. The next day, at six o'clock, had Mauro Viale on the phone yelling: "You have to come to the canal to defend yourself because you will destroy." They came to offer me money for us to make notes. We do not owe explanations to anyone except our families (...) types banging on the door of my old house in Hurlingham ... Crazy ... ".
Years later, in a note by Pablo Navarro , Daffunchio recalled: "I do not think that we have taken as a positive experience. This is a very hypocritical society looking goats scape all the time, to charge the blame. Is the information used to the people to consume. "
"What we say about the songs already." And it was, and it showed clearly in the lyrics of the song "fat pig" , written after the incident and released on the album "Amor Seco" in 1995:
pork fat (Las Pelotas )
Far is the city
purge the sins of others fleeing the rural poor, how is life made of pain.
A broad black vulture revolves around the hope
between honor and virtue hypocrites tell us about morality. Flies that have
owner flies have owners.
Punishing the guilty say
posters on the door tells a priest, how much time is left, how appreciated you.
pork fat must eat burst
to see if a good time ... Flies that have owners
flies have owners.
polemic 6
On Friday 19 August 1994 rock band The Balls left in the first page of every media, was commented on the TV news, and even in yellow journalism programs that were then led by Mauricio Goldfarb, better known by the Mauro Viale pseudonym.
"The album" Tales of salt ", which had achieved a Gold Record (1994) was a success Arrol? Are the lyrics to "Captain America" \u200b\u200bhorrified all capitalists? No. The issue was that Daffunchio Germain (guitar) and Alejandro Sokol (singer) had been convicted of drug possession (They found a gram of cocaine) and his case was the first in the country which was used probation.
So instead of being condemned, the musicians were told to give four shows a profit before September 1995. In two of these performances should donate all proceeds and the other two had to be acted out in public. One of them was in a women's prison and is rescued only positive thing from that experience. "It was a garronazo , cornered him of the situation was going to play a women's prison for a lot of people who are locked up and they see the wind that hits a tree as a fun" , said Sokol.
But all the rest were negative, especially in the media charge that was the situation, and totally ruthless management that took the media. The official press attacked the musicians as if they were criminals. So remember Daffunchio: "That was a history of shit. The media use what they want when they want to profit. "
On Friday 19 August 1994 rock band The Balls left in the first page of every media, was commented on the TV news, and even in yellow journalism programs that were then led by Mauricio Goldfarb, better known by the Mauro Viale pseudonym.
"The album" Tales of salt ", which had achieved a Gold Record (1994) was a success Arrol? Are the lyrics to "Captain America" \u200b\u200bhorrified all capitalists? No. The issue was that Daffunchio Germain (guitar) and Alejandro Sokol (singer) had been convicted of drug possession (They found a gram of cocaine) and his case was the first in the country which was used probation.
So instead of being condemned, the musicians were told to give four shows a profit before September 1995. In two of these performances should donate all proceeds and the other two had to be acted out in public. One of them was in a women's prison and is rescued only positive thing from that experience. "It was a garronazo , cornered him of the situation was going to play a women's prison for a lot of people who are locked up and they see the wind that hits a tree as a fun" , said Sokol.
But all the rest were negative, especially in the media charge that was the situation, and totally ruthless management that took the media. The official press attacked the musicians as if they were criminals. So remember Daffunchio: "That was a history of shit. The media use what they want when they want to profit. "
is August 19 that the thing was even a joke between Monica and Caesar, then Telenoche drivers while presenting the note:
Caesar: "What are my balls?".
Monica: "I do not know ... a sport."
Caesar: "No, a rock group that was sentenced to give four concerts in aid for drug possession."
In a note to Yes Clarin by Fernando García the September 23, 1994, the guitarist doing his discharge of the situation: "We do not got with anyone and suddenly, everyone got us. We took care of things that everyone knows that our society is through the roof. In the highest circles and in the slums also . "And he added: " We discretion and there was none. No one noticed that behind the big news, there were guys with children and neighbors. The next day, at six o'clock, had Mauro Viale on the phone yelling: "You have to come to the canal to defend yourself because you will destroy." They came to offer me money for us to make notes. We do not owe explanations to anyone except our families (...) types banging on the door of my old house in Hurlingham ... Crazy ... ".
Years later, in a note by Pablo Navarro , Daffunchio recalled: "I do not think that we have taken as a positive experience. This is a very hypocritical society looking goats scape all the time, to charge the blame. Is the information used to the people to consume. "
"What we say about the songs already." And it was, and it showed clearly in the lyrics of the song "fat pig" , written after the incident and released on the album "Amor Seco" in 1995:
pork fat (Las Pelotas )
Far is the city
purge the sins of others fleeing the rural poor, how is life made of pain.
A broad black vulture revolves around the hope
between honor and virtue hypocrites tell us about morality. Flies that have
owner flies have owners.
Punishing the guilty say
posters on the door tells a priest, how much time is left, how appreciated you.
pork fat must eat burst
to see if a good time ... Flies that have owners
flies have owners.
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